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By Jessica Brister On 15 May, 2016 At 04:03 PM | Categorized As Featured, Reviews | With 0 Comments

No GravatarThe geek in me loves Star Wars. The English teacher in me loves Shakespeare. So why not combine the two and make people just like me extremely happy? Well, this actually is a thing. Someone has gone through an re-written the classic Star Wars movies into Shakespearean plays. I received Episodes IV through VI as a set and think they are an absolute blast to read. For the purposes of this review, I will only be concentrating on A New Hope, or as it has been so aptly renamed: Verily, A New Hope.

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William Shakespeare’s Star Wars: Verily, A New Hope was written by Ian Doescher and was published in 2013 by Quirk Books. At this time, the first six Star Wars movies have been published in this series so that nerds like me can collect them all. Doescher decided to write these books because George Lucas purposely put archetypal characters in Star Wars, and Shakespeare pretty much is the king of archetypes. It was pretty much a match made in heaven to rewrite the stories in the form of a Shakespearean play.

Verily, a New Hope is essentially Star Wars: A New Hope in iambic pentameter with stage directions. The plot has stayed the same, but the dialogue has been greatly changed. It was definitely a fun way to read a story that I’ve watched and read so many times before. I’m assuming that you are familiar with the basic plot of the story if you are reading this, so I will focus more on how this version differs from the original.

Besides the traditional Shakespearean format and rhythm and rhyme, the book is written from the perspective that the reader already knows the plot twists in The Empire Strikes Back and Return of the Jedi. There are several asides that let a couple cats out of the bag. There is also an added scene that I thought was interesting where Luke, after the trash compactor seen, holds up the storm trooper’s helmet he had been wearing and does an aside like Hamlet did with the skull.

It was interesting to see how different parts of a story set in space would work on a stage. Sometimes, instead of seeing the action, a character will just go ahead and tell you what just happened. The big battle at the end was done as characters just standing on the stage, representing that they were in a ship. Honestly, it’s probably the best that could be done as a play.

One thing that got to me—and this isn’t an actual issue with the book—was some of the iconic Star Wars lines had to be replaced by something that sounded Shakespearean. The Han Solo scene on the Death Star on the detention block with the com speaker was just…not as good for me. It’s really nothing wrong with the book itself. That’s just me being crazy about certain Star Wars things. It can’t be helped.

I loved that the story was separated into a traditional five act play and split up into scenes. The story was divided perfectly to demonstrate the rising action and climax. It’s actually interesting how well A New Hope fit as a Shakespearean play. It felt natural. It didn’t feel forced at all.

Overall, this was an excellent addition to my collection of Star Wars literature. It obviously caters to a very small niche of people, so it is definitely not for everyone. Regardless, I really enjoyed it, and I think that any literary/Star Wars geek will love it.