Duels of the Planeswalkers, is the console version of the 20 year old Trading Card Game Magic: The Gathering. As a player of the game for the past 11 years, I’m super critical about the game in both the cardboard and digital forms. This is the fourth is the series going all the way back to 2009, and has come along way sense the beta I played at the World Championships in 2008, (In Memphis baby!) but how much has it improved?
The modes are available right from the start, minus “Revenge Mode”, and includes “Sealed Play” for the very first time. “Sealed Play” gives you 6 packs of cards, and you build a deck much like the paper counterpart. If you feel lost in what to play, there’s a meter on the top of the screen that assists you in the process of making the best deck possible. Although the game can’t assist you on what you should play, as you place cards in the deck you will have the meter rise and fall depending on what you put in and take out capping out at “Awesome”.
The single player campaign follows the Planeswalker Chandra Nalar, as she retrieves artifacts to aid her in her battles. Even though this is as basic as a storyline gets, it’s a first in the history of the franchise. The other versions just pale in comparison as this subtle addition just adds to the flavor of the game.
As of this review, I haven’t had the time to review the online multiplayer and when I do I’ll write another review on it. The Bad:
As you play through the campaign, you unlock cards to add into your deck. The cards are then automatically added to the deck, if you like it or not. This is the biggest issue I have with the game. Not only do they do it against your will, but it even makes your deck bigger when the AI adds lands to help with the lands to spells ratio. The first time I checked to see if this happened, I unlocked all 30 cards for the deck, and when I checked the card count it was at 97! This has plagued the game sense the beginning, and even though it’s small, it’s super aggravating.
“Revenge” mode is unlocked after you complete the campaign, and it’s brutal. Even though I was wanting to 100% the game, it was impossible. The difficulty is turned insanely high, and there wasn’t enough patient bones in my body to sit and try to complete it. Unless you have a high IQ, or have a friend sitting next to you for the assist, it will be a tough and challenging road ahead.
Now it’s time to turn on the megaphone and stand on my soapbox about the biggest issue I have.
Wizards of the Coast allows you to print out a code to redeem one of three packs, depending on the platform you bought it on. In order to redeem said packs you have to go to a participating store, and bring them the code. No harm, no foul right? That’s where your completely wrong. As I call around to the shops in the area, I was told that they had completely “sold out” of the packs I was trying to claim. The Steam version had a Scavaging Ooze which retails for $10, which gives you your money back. Upon talking to other Magic players at the shop during a “Standard Format” event, multiple players mentioned how they obtained multiple copies of the foil, alternate art, rare. One player mentioned how he preceded to buy his codes from EBay to get the last 8 copies of the cards from the store we were currently sitting in. Knowing that I was looking for the game he even had the balls to attempt to sell me a copy of the Ooze for $25, knowing I should have gotten it for free. Being behind the curve of the actual release of the game, I was pissed knowing that people were going through these lengths to obtain a card, while I’m stuck behind the 8-Ball knowing that I will never get the card unless I pay money out of my pocket. My plea to WotC, put the redemption service back to where it was back in 2009.
During the first release of “Duels” they had them ship you the cards by a in game redemption service and they would ship you the cards. No EBay, StarCity.com, nothing outside of you and the XBox you were on can hinder you receiving it. This is the way it was, and should have been from the start and I beg Wizards to return it to the way it was.
Sigh. That’s all I can really do after watching the VGX, formally known as the Video Game Awards or VGAs, just let out one big sigh. The VGAs have been getting flack for years about not being about games or the gamers. So when the announce came of a changed format meant to focus on just that, the games, we were excited for the change. I never thought the awards show in the past was particularly good or bad. For me it was the middle of the road, trying to pander to non gamers and gamers alike. So I was looking forward to the change in format. What we got was a 3 hour show full of awkwardness, terrible jokes, and host who made you clamor for the old Ubisoft E3 presentation with Mr. Caffeine.
Before diving into what made the show bad, let’s talk about the good. We got some decent premieres for trailers and a couple surprises that actually surprised me. The highlight for me was The Division Snowdrop Engine trailer. All the trailer showed was in game footage, but not of gameplay. This was of the environment, the lighting, and the weather effects. And it all looked phenomenal. Maybe the first game that actually looks next gen, this game is gorgeous. Other trailers we got to see were Titanfall showing off two new Titan classes, The Witcher 3, Destiny, Donkey Kong Tropical Freeze, and a brand new IP called No Man’s Sky just to say a few. No Man’s Sky stole the show by actually being able to be kept secret. Most everything else we knew we would see but no one saw this coming. It looks interesting as a sprawling space adventure. I need to see more but I am interested in it. We will post an article of all the trailers and demos shown on the show.
That’s really all I can say for the good. Now for the bad and the ugly. This show was really awkward. Moving from a live audience to no audience to focus more on the games seemed like a way to make it more intimate and game centric. The only thing it really did was making it uncomfortable when someone would accept an award only to be met with complete silence when usually an audience would congratulate them. Also, the lack of an audience makes terrible jokes even more apparent of how terrible they are, but more on that in a bit. Through all the cringing and boredom, I actually felt bad for the people accepting awards in person, they looked like they couldn’t run out of there quick enough.
And can we talk about awards for a minute? For a three hour show that changed their format to focus more on the games, how is it that you only cover half of your own rewards, if that? Not even the quick, “Oh hey we are short on time so these people one this.” They outright ignored and never spoke about certain awards. It’s weird to see who one best Xbox game and best shooter, and not even mention who won best PlayStation or Nintendo game, or other categories like best handheld or RPG. They had more than enough time to cover all the awards if the really wanted to. At the very least, they could have pretended to treat every console equally and shown the best of for them instead of focusing so heavily on Xbox in the week leading up to the show and in the show itself. The VGAs have always been treated like companies pay for the awards. How VGX only really talked about Xbox really doesn’t help that image.
Nintendo was talked about briefly with its first appearance on the program. Nintendo president Reggie Fils-Aime came on to present Donkey Kong Tropical Freeze for the Wii U. What followed was a very awkward showcasing. Reggie could barely get in any words before being interrupted with terrible jokes and accusations about not presenting a different game. I admit that I was hoping and would have preferred something like Super Smash Bros. or a new Legend of Zelda game or even a Metroid game, but for a host to actually act like that wasn’t enough for you is just rude and unprofessional. Whatever you may feel for Nintendo, as a “gaming journalist” you should at least pretend to be professional when you are actually interviewing them.
And now we get to the biggest rotten egg of the night, cohost Joel McHale. Joel was… well, he was Joel. Pretty much the same as when he host The Soup on E! But there is a problem with that; on The Soup he is making fun of celebrities and dumb TV moments, here he was making fun of the targeted audience of the VGX, the gamers. And not in the way of, “Oh these are dumb things we gamers know is stupid but some people still do.” No this was the, “I’m better than you and I will talk down to all of you” way. Half of the time he just looked bored and not wanting to be there, the other half he wouldn’t shut up and kept interrupting the developers who were trying to talk about there games. It was a bad choice to pick him, one that may go down as the next Mr. Caffeine debacle. Some argue that awkwardness is funny and therefore it was a good show, but this was just bad.
Last but not least we have the GTA music concert, which took up about 30 minutes. Choosing the Loiter Squad to host that section of the show was another terrible choice. They make their living on off the wall weird awkwardness so I suppose they fit right in, but it didn’t help the show. Coupled with a lazy concert and a lack luster crowd who looked like they were dragged into the concert by force makes for a bad show.
All in all, the newly reinvented VGX got off on the wrong foot. Instead of trying to appease to the gaming community, it seemed like they just chased them away. The VGAs always had a cloud hovering over them of not really being about the games or the gamer, and those clouds turned into a hurricane. If this is what they think the gaming community wants they are sadly mistaken. We did get to see some good trailers and new games, but that wasn’t enough to save this train wreck. If there is any silver lining is that they can only improve from this. At least, I can’t imagine them getting any worse. Hopefully next year will be better, and you know there will be a next year. But for now, VGX was just bad. A little good, mostly bad, and ugly.
As I made my way around the giant booth, two things really stood out to me. One: Nvidia really gets gamers. They know what we want, they know what’s missing in our lives, and they know how to ‘turn us on,’ so to speak. Second: holy crap, I’m never going to be a functional human being again.
The keyword of the day was mobile, and not just in the sense of a phone or a handheld, but in the sense that, if Nvidia has their way, all your games will truly be mobile. From the handheld SHIELD, to the streaming service they’re building with cable companies, to the connectivity between your computer, big screen TV and your games, they seem to have thought of everything.
Imagine cloud gaming that works with your network provider to turn any PC, Mac, tablet, smartphone, or TV into a gaming console. That’s the future Nvidia imagines.
GRID renders 3D games in cloud servers, encodes each frame instantly, and streams to any device with a wired or wireless broadband connection. This means no digital downloads, no installation, no patches – just streaming.
And this isn’t just a pipe dream. They’re already working on deals with major cable companies to get this show on the road.
A true portable gaming system that is also a full-sized controller, SHIELD utilizes the Tegra 4, touted as the world’s fastest mobile processor. The ultra-fast wireless is to prevent lag when streaming games, and the unit will utilize Android’s Jelly Bean operating system, meaning you can access all of the Android applications and games.
Now here’s where this “me never leaving the game” steps in. I will be able to play my computer games on the SHIELD. I can essentially use it as a controller, or I can get up and go lie on my bed and play using the SHIELD’s screen. Or I can go use the bathroom and take it with me. Or take it on the bus. Or to work. Or to my work bathroom.
Do you see how dangerous this device is? From the demos, it seems a little bit of a quicker step than the Vita to PS4 step will be, because you’re actually playing the game on your SHIELD, but we’ll be able to compare them more after the PS4 comes out.
Oh, what’s that you say? They will probably only have crappy games? Um…look at this list. Yeah. Yeah that’s a real legit list of games right there, all the kind of games I wouldn’t mind snuggling up in my bed with until 3 A.M., with none of the neck or back strain that sitting up requires. Don’t look at me like that, you’re probably in no better shape.
I hope to tell you much more about the SHIELD when I get one of my very own. So stay tuned!
The World of Tomorrow
Nvidia almost scares me. The GRID, SHIELD, and other technology, if successful, may change the way we game. There’s no need for the console wars if you don’t need a console, and you don’t need to buy handheld versions of your consoles, like the Vita aims to be. In the world of tomorrow, every smart device could become a game console.
And I will never have a life again. I’m sure they were trying not to laugh as I stood there, flabbergasted by the new technology they were explaining. How will I eat? How will I sleep? How will I force myself to have human interaction?
Last week I had the opportunity to visit Australia’s first Penny Arcade Expo, or PAX. The event was a huge success and a great experience. In this article I’ll give you a taste of what I got to see and play there!
The event showcased everything from tabletop games, indie titles and developers right up to major titles such as Assassin’s Creed IV, Saint’s Row IV and League of Legends. There were also many accessory and hardware manufacturers there showing off their latest headsets, gaming peripherals and super powered PCs. A whole host of international developers and companies showed up for panels and Microsoft even presented their Xbox One with live demos on stage.
The standout booths from the show were the World of Tanks and League of Legends stands, taking up a massive amount of space and drawing huge numbers of gamers. The League of Legends booth was packed full for all three days, hosting the first major Oceanic tournaments.
The expo featured a few other major gaming booths from Ubisoft, Nintendo and a Rome Total War 2 theatre – each showcasing new demos and game presentations for many upcoming titles such as Assassin’s Creed IV, Watch Dogs, Rome Total War 2, Saints Row IV, Splinter Cell Blacklist and The Legend of Zelda: A Link Between Worlds.
Emph Cosplay at the Freedom Fall booth
There was a huge focus on indie titles in the main arena – One of the highlights was Freedom Fall, which I previewed and reviewed before the event here. Their booth had a great atmosphere and some brilliant cosplay to publicize the game
Other indie titles of note included Antichamber, Black Annex, Fractured Soul and InFlux. To see the very best of PAX Australia’s indie showcase, view the showcase page here.
One of the best features of PAX Australia, in my opinion, was the huge freeplay and tabletop arena. This big hall held hundreds of consoles ready to run tournaments and also to let people relax and play a game with friends and strangers, creating an awesome atmosphere of community gaming. It also had both a large area for handheld gaming and a large tabletop area, populated mostly with Magic the Gathering games and how to lessons for beginners.
Presentations over the weekend were very exciting – from game developers to media presentations and how-to’s. Famous cosplayers, journalists and big name developers such as Gearbox and Bioware put on presentations and Q&A’s that were full up hours before they began – very popular panels.
Microsoft also took PAX Aus as it’s first opportunity to show off the Xbox One in Australia, drawing record numbers into the main theatre. They presented live demos of a few launch games and walked us through the new controller and kinect.
The last major part of PAX is arguably one of the most exciting – Cosplay. Seeing talented individuals out in awesome costumes was one of the best parts of PAX and there certainly were some incredible ones. Highlights included the huge number of League of Legends cosplays, Borderlands 2 Vault Hunters (and a clap-trap!) and even the Luteces from Bioshock Infinite!
Overall the expo was a great success and I’m very much looking forward to the coming years – bigger booths, bigger venue and bigger games, but for the first time this Expo has been in Australia it was very impressive.
Shiny! Or maybe not so shiny, according to a lot of fans.
The news was announced today at San Diego Comic Con. Firefly, a cult classic directed by Joss Whedon was aired on Fox for only 14 episodes, along with the movie Serenity, but ithas a massive following. The Browncoats, as fans call themselves, have been raging and crying for something to fill in the Serenity crew gap, so QMx Interactive, Fox Digital Entertainment, and Spark Plug Games have put Firefly Online together to try to attempt to quell the fire. But will it be enough?
Most likely not. For one, fans are still (and rightly so) carrying a grudge against Fox for canceling Firefly in the first place. Joss Whedon refused to give in to Fox’s demands to change some scenarios and character personalities, and thus, Firefly was gone as quickly as it swooped in.
“Curse your sudden but inevitable betrayal!”
Secondly, it will initially come to iOS and Android devices once it releases in Summer of 2014. Although I’ll admit that there are a number of great games for these operating systems, Firefly Online will burst with popularity and quickly die out because MMORPG’s are not really meant for tablets or smartphones; they’re really meant to be experienced on a PC.
Thirdly, Spark Plug games have some big shoes to fill. Titles by Spark Plug include Plight of the Zombie, Puzzle Quest, and Dairy Queen Tycoon. Their track record doesn’t show that they could pull off something this huge, since their games are more fun and simple based. Also, their graphics are very cartoon-ish, so to try to take on this mission to satisfy hundreds of thousands of fans is pretty daunting.
Looking at the trailer, it doesn’t look promising. And I’m sorry to completely lose hope because if you follow me on twitter or facebook, you saw my all caps tweet about how excited I was. Digging deeper, I became more disappointed the more I read. At best, it looks like a game to keep yourself occupied when you’re waiting for your friend at Starbucks or between college classes. I want this game to be gripping, competitive, and upstanding of the Firefly and Joss Whedon name.
Could it be great? Sure it can. The trailer didn’t reveal anything more than the main objective of the game, which is to find a crew, get a job, and keep flying. I suspect that it will be a time-passer on the iOS and Android devices, but maybe it will become something better when and if it hits PC.
In a world full of mobile apps and games it’s hard for a platformer to rise above the rest, but what Lisa Rye and Stirfire Studios have created here manages to do just that. The game they have created, Freedom Fall, is more than just a platformer, it’s a game with a real rich sense of humour and a massive heart.
The game started as a personal project of Lisa’s but was picked up by Stirfire Studios as a commercial release upon her move to the company. Freedom Fall was developed in Perth, Australia, and will debut at this year’s PAX Expo Australia in June. It’s currently in Beta on Desura here and can be upvoted on Steam Greenlight here.
In “Freedom Fall” you play as Marsh, the ‘hero’ of the tale. He find himself imprisoned in a tower where the only way to go is down (and sometimes across!) in order to escape. The premise is fairly simple yet very well executed; move downwards avoiding traps, spikes and even a mechanical shark, but this isn’t what sets the game apart from other platformers, it’s the character and heart of the game the creators have imbued in Freedom Fall.
This character comes mainly in the form of the Princess Emph, the daughter of the king and designer of the many dangers in Freedom Fall. After being locked up herself and finding the tower boring she escapes and decided to redecorate and make it her own. Her character really brings the charm and entertainment to the game in a creepy little girl meets Glados (from Portal) kind of way! She tells her story and interacts with the player through messages written on the walls of the tower, developing the story as you progress through the various stages. What results from this clever storytelling is an experience rarely seen in mobile games – it provides a great deal of humour and emotional investment in such a deceptively simple package.
In terms of gameplay Freedom Fall excels once again. With simple controls and levels varying in direction and challenge and a few pace changes like the mechanical shark it manages to keep the player invested in the game without completely overpowering Emph’s narrative. It also manages to keep this investment without sacrificing any gameplay mechanics. Apart from navigating traps and dangers the player may gather bolts to build several items to help the player traverse the traps such as a parachute and wings to give an extra boost when jumping. These bolts can be found throughout levels and in greater quantities in small side rooms, often giving hints and tips for the next challenge via wall messages. The game also supports two different endings and branching difficulty decisions. As the player moves downward they will reach many crossroads, offering ‘easy’ and ‘hard’ obstacles. The easy choice will of course be less difficult but also will offer less bolts and no side rooms, whereas those who brave the harder traps may find themselves better appeared for the many obstacles ahead. This relatively simple choice gives the player a sense of control and again does something not seen a lot in a mobile package.
The visual style of the game is quite pleasant, with most of it being hand drawn. The simplistic design and implementation works well on any screen from a laptop or desktop to a much smaller mobile touch screen. The soundtrack for the game works well with the fast paced style of game. Freedom fall runs quite well on both platforms with no problems or bugs encountered in my playthrough.
In summation Freedom Fall is quite a fun and entertaining game, perfect for on the go platforming with added heart, or sitting down to enjoy on a bigger computer screen. Regardless of how you play the game, what Lisa and Stirfire Studios have created is quite clever and unique, totally deserving of any gamers time.
You can check out this game at PAX Australia in June, and it will be available to download and play from the 19th of July!
An epic quest for freedom, happiness, and bananas. This is just a short sum of Disco Pixel’s first upcoming mobile game Jungle Rumble. Disco Pixel is the creation of Trevor Stricker, a video game industry veteran who decided to use his talent to create fun, one of a kind games. Jungle Rumble is still in development and will be released in October, but I was able to have the chance to play a demo of the game before its official release.
The synopsis of the game is as follow. You are a spirit that helps monkeys in the Mofongo tribe and one day the monkeys find that another tribe has arrived in their jungle. The Mofongo tribe relies on the bananas the jungle provides to survive and the other tribe eats those same bananas. Because their carrying capacity will be reduced due to the threat of this new interspecific competition, the Mofongo tribe engages in war against the newcomers for the sake of survival. Your job is to help them beat the enemy tribe.
I love Jungle Rumble because it’s the first game that’s required me to strategize my next move while maintaining focus on my actions in a long time, making it a very intellectually satisfying game. This comes from how the game is played. Jungle Rumble is a rhythm based game that has you match your screen taps to the beat of the background music to move monkeys from one branch to another and have them throw coconuts at the enemy. Once you reach a certain point in the game, you will be able to move multiple monkeys as one unit and have all of them throw coconuts together to knock out enemy packs or move around the tree knocking out every monkey one by one without having to come back to the specific branch with coconuts to collect more. This ability however presents a challenge, to maintain the pack together you have to maintain the beat of the background music without stopping and time your transitions right so the enemy doesn’t go to your branch and knock out your allies or throw coconuts at an empty branch and lose the unit. As the game progresses the beat become tiny bit by tiny bit faster and the layout of every level presents a new challenge.
Combine this unique gameplay with the stellar, colorful graphics seen and you’ve got the mobile game serious gamers have been waiting for. I am looking forward to the game’s release and with this preview of what’s to come, I wonder about what the studio will do to improve upon the game and what later stages may look like. All in all, I think Disco Pixel has the next big hit in mobile gaming.
E3 had only been going for a day, and yet, it felt like we were all overwhelmed by the sheer number of announcements from both Sony and Microsoft, and while the internet argued (and still is) over which one did better, we were witness to the last of the Big 3; Nintendo.
And just like the previous 2, a slew of announcements were made, but really most of it were things we had already expected, plus some eShop titles.
In any case, for those who missed it, here is the rundown, first, for Wii U:
Super Mario 3D World – For the first time a 3D Mario title with multiplayer capabilities, it will be developed by the same team that worked on Super Mario 3D Land for the 3DS, it will allow for use of 4 characters which include Mario, Luigi, Toad, and for the first time in over 2 decades; Princess Peach, a new Power-Up: the Cat Costume was revealed, seemingly adding some new level of gameplay with it. Scheduled to launch this December.
Donkey Kong Country: Tropical Freeze – The only real surprise this E3 for Nintendo was this game, marking the return of character Dixie Kong, Retro Studios takes on this series once more, attempting to bring more Donkey Kong the Wii U, with an improved graphical look, this game is set to be released this November.
The Legend of Zelda: Wind Waker HD – An improved version of the original 2002 hit for the GameCube, bringing new items such as the Tingle Bottle, which allows to send messages to Miiverse by using a bottle and dropping it in the ocean, also faster sailing mechanics. Scheduled to launch this October.
Mario Kart 8 – Apparently ditching the silly titles for good, this new game adds a new gameplay element with anti-gravity, and marks the return of bikes to the series, will have great online integrated to Miiverse. Available Spring 2014.
The Wonderful 101 – Created by Platinum Games, this title focuses on combat between Wonder-Red, and the group of heroes working for him, using them to attack enemies while looking and sounding like a classic superhero comic book. Launching September 15.
Bayonetta 2 – Also developed by Platinum Games, showing the main character’s new look as well as some combat, looking as chaotic as ever. Game launching 2014.
“X” by Monolift Soft – Aiming to be an open world title, and adding the ability to control humanoid robots, this title that is being developed with Xenoblade experiences to mind, seems to aim for a higher bar than that title. Available 2014.
Wii Party U – A party game, involving different tabletop games, this Mario-partyesque game will launch this October.
Wii Fit U – Just what it sounds like, set to be released this December.
Pokemon X Version and Y Version – For Nintendo 3DS, the biggest news is about Pokemon, that will release this October, the game has revealed the already speculated Fairy type, which will become the 18th type in the series.
The Legend of Zelda: A Link Between Worlds – (Not shown on the stream) A nice throwback title to the prequel of A Link to the Past, in this title, Link will be able to travel along the walls, allowing for different tactics to puzzles. Out this holiday season.
Yoshi’s New Island – (Not shown on the stream) Offering a variety of art styles, Yoshi returns in his 3rd adventure for the Nintendo 3DS. Out this holiday season.
Mario & Luigi: Dream Team – The 4th game in the Mario and Luigi series, this will add the ability to jump into Luigi’s dreams, game out August 11.
Outside of those, there were also quite a few third party tittles glossed over, here are the tittles that you may have missed:
Assassin’s Creed IV Black Flag – Ubisoft – Wii U – Oct. 29
Batman: Arkham Origins – Warner Bros. Interactive Entertainment – Wii U – Oct. 25
Batman: Arkham Origins Blackgate – Warner Bros. Interactive Entertainment – Nintendo 3DS – Oct. 25
Deus Ex: Human Revolution -Director’s Cut – Square Enix, Inc. – Wii U – 2013
Disney Infinity – Disney Interactive – Wii U, Wii, Nintendo 3DS – Aug. 18 (still making titles for the Wii?)
Disney’s Planes – Disney Interactive – Wii U, Wii, Nintendo 3DS, Nintendo DS – Aug. 6 (DS too?)
Just Dance 2014 – Ubisoft – Wii U, Wii – Oct. 8
Rayman Legends – Ubisoft – Wii U – Sept. 3
Scribblenauts Unmasked: A DC Comics Adventure – Warner Bros. Interactive Entertainment – Wii U Nintendo 3DS – Fall 2013
Shin Megami Tensei IV – ATLUS (Index Digital Media, Inc.) – Nintendo 3DS – July 16
Skylanders SWAP Force – Activision Publishing – Wii U, Wii, Nintendo 3DS – Oct. 13
Sonic Lost World – SEGA – Wii U, Nintendo 3DS – Holiday 2013
Tom Clancy’s Splinter Cell Blacklist – Ubisoft – Wii U – Aug. 20
Watch Dogs – Ubisoft – Wii U – Nov. 19
Well hope nobody was disappointed. Ericyo and I, are very excited for some of these upcoming games and had a great time working to bring you, the audience, as much information on Nintendo as possible. We will continue to do so in the future.
Today, Nintendo aired their conference online, aimed towards both the gamers and the media, the conference was rather short, and rather unimpressive in comparison to Sony, but it did end not with a bang, but with an explosion.
After the smoke cleared, we got a first look on Super Smash Bros, set to be released for both Wii U and 3DS next year, showing some minor gameplay along with 2 newcomers to the series: Megaman, and Animal Crossing villager.
Trailer suggests a cel-shaded look for the 3DS version, while the Wii U seems to have character more akin the original Wii version, differences haven’t been really pinpointed, but we will keep you informed as we receive more information.
The game is set to be released next year, with no specified term.
Animal Crossing: New Leaf is nearly upon us North American gamers, and as such, many of us are already thinking of things such as the name of our town, the clothes we’ll wear, and even the flag we will design to show the uniqueness of our town.
However, the first thing you have to do when you are set to arrive in the town, is answer Rover’s questions.
These are simple questions that to many, don’t actually hold any importance, but they are more than you would think.
Your character’s face will be changed according to your responses, there are a total of 12 different outcomes for your characters, and here they are, shown for each gender.
Click the picture to enlarge.
And the 2nd row…
And the last 4…
With this, you can choose the way your character’s face will look in the game, use of this list is up to the player, making your experience a controlled one right from the get-go, give it a try tomorrow, when the game is finally released.